![]() ![]() They are important visual aids that help the eye to differentiate one character from another, and to help the brain distinguish individual characters from among the forest of tiny strokes that make up passages of typeset text. One of the basic ways of categorizing typefaces is to distinguish those with serifs-seriffed faces-from those without. ![]() ![]() Serifs themselves, though, are extremely ancient and can be found in stone inscriptions from at least as far back as ancient Greece. The word “Serifs” is of dubious origin, but it probably comes from an old German word for the stroke of a pen. A difference which have existed as a crucial detail on most Roman letterforms for a little over 2000 years. The classification of the innumerable variations in type design existing today begins with the existence or non-existence of these little feet. Serifs can be defined as ‘the little feet on the letters’. Serifs are finishing flourishes at the ends of a character’s main strokes, where the stroke appears to flare out. (A phoneme refers directly to the sound.)Ī sort, letterform or glyph refers to a particular manifestation of a letter or character, one created by a type designer. A letter, character or grapheme refers to a fundamental conceptual mark that represents a spoken sound. There is a subtle but important difference in meaning between a grapheme, character or letter and a glyph, letterform or sort. The individual pieces of metal type that Gutenberg worked with were not letters, but letterforms. In the early 1450s Johannes Gutenberg’s invented the movable metal type printing press. The profession of typography was essentially born in Germany. These alphabets evolved from a western version of the Greek alphabet approximately 2,700 years ago. Our modern alphabet is a child of the Latin alphabet or Roman alphabet. The Hound of the Baskervilles, 1902 Introduction The detection of types is one of the most elementary branches of knowledge to the special expert in crime. As designers, we can carry that fascination into our work by studying the makeup of letters Typography inspires us by reminding the world of a simpler time without connection. ![]()
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